Everything that is new is thereby traditional. You and I are advocates of modern methods. FOAM conflates God, UFO's and Sex in the form of social commentary, relentlessly preaching the duality of goodness and martyrdom and the unencumbered id that is repressed when religion meets sexuality. FOAM explores the aftermath of some cataclysmic event at the various levels from interpersonal to global. Whether considering an apocalypse as the world without man, the fall of civilization, life after the deluge, fiscal catastrophe, personal tragedy, zombies, or religious prophecy, these are speculations and ruminations on the questions of what might follow life-altering events. A Gnostic Industrialist, I utilize these primers on the boundaries of Armageddon, and created The Found Objects Art Museum. The objective is TO MOCK THE ORIGINS OF RELIGION. And to achieve that, I apply the typical functions of a museum – collecting, preparing, interpreting and displaying (found object sacred geometry) art installations In public spaces.
In order to understand F.O.A.M. - The Found Objects Art Museum © not as a practical creative endeavour, but as art and intervention in the social sphere, there are certain elements that come to mind: the precariousness of the means; the dialogue with the surrounding or local community; the possibility of sustainability and the flirtation with heresy.
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| EYE of AUDIO |
The proposed art installation, SECRET DISCO, has an originality, richness and diversity in combination with a more explicit and overtly spiritual voice. Aesthetically, the installation is monochromatic (white) creating maximum eye contact. A holistic centerpiece, the installation symbolically descends from the sky, giving heavenly energy to the masses with Low Vibrational Frequencies or a disco beat. Borrowing the social and spiritual architecture of duodecade or twelve, the masses pay 12 euro to connect their personal electronics (smartphones, tablets, laptops) to the site-specific installation. God is a Dj?
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